A Two Michelin Star French Kitchen

La Bouitte has an authentic French kitchen. It is run in the same militaristic manner Escoffier developed as he gave birth to French cuisine. René and Maxime Meuilleur, father and son, have together, earned La Bouitte two Michelin Stars, a restaurant located in the alps of France. I started here as a stagiare, or apprentice, fresh out of culinary school over two months ago. I have had a chance to see and live through the daily rhythm of gastronomic engineering inside one of the best restaurants in the world.

La Bouitte is located in the heart of trois vallees, the largest ski area in the world. It is a destination restaurant frequented by tourists flocking to experience the winter sports France has to offer. I came to work here through the summer, or off season, which is a blessing and a curse. The curse is I don’t get to experience the daily madness of restaurant rush. The blessing is the fraction of client traffic requires a third of the kitchen staff, giving me constant personal attention as I learn the foundations of becoming a chef. I could fill a book with all the experiences and personalities I’ve encountered in this short span of time, something I’d to like to do eventually. But I’m going to try to keep this brief and explain the inner workings of the stations inside La Bouitte, a view into how some of the best food in the world is developed and put out. The menu is constantly changing and redesigned making the job ever more interesting and challenging.

Im going to be honest: this experience was not a pure fantasy I’d hoped. The hours were long, and the work took a toll on my body. Having just finished my last day, I am sitting here with a brace on my wrist from what I believe is a torn muscle in my forearm. I worked through this injury for over two weeks, of course worsening the damage which I am now reeling from. Hopefully, by the end of this post, I will have convinced you of why this foolhardy level of dedication is necessary. My self esteem has been battered to shreds from all the insults and scoldings, but consequently I have gained great confidence, feeling entirely at ease in the kitchen. I can dip my hand in boiling water without wincing. I have no qualms of feeding a millionaire and his date. I wont hesitate to cater a party of over a hundred. The bandage has been ripped off so to speak.

The Front

The front of the hot line has two stations: the plating and mise en bouche, which overlap with each other a bit. The plating station takes each item on the dinner menu and assembles them on a consciously selected plate to be sent out to the customer. This station consists of two people: the father and son owners of the restaurant. The mise en bouche station, manned by one cook, preps and fires the surprise starter courses each client receives.

Mise en Bouche

Mise en Bouche

Mise en Bouche

When you sit down to eat at La Bouitte, immediately after ordering your drink a surprise appertif is delivered. This is usually a one to two bite surprise embodying some of the values the restaurant takes gravely seriously: interesting flavors and impeccable presentation. After the dinner order is received, the mise en bouche is fired. This is a standard appetizer sized course meant to give a glimpse into the ongoing strife for perfection evolving in La Bouitte. La Bouitte keeps track of all of it clients, so repeat guests enjoy an entirely different experience with each visit.

Appertifs

During the winter, there are two people at this station. This summer, its just one person. I owned this station for a couple weeks, and subsequently jumped over as needed. The time I’ve spent owning this station is the toughest experience of my life to date. I was swimming in the  weeds thirteen hours a day. Since most customers arrive within the first half hour of service, mise en bouche is the first to get hit. And it gets hit hard. During busy services, Maxime, the chef de cuisine and son of the owner, moves over from the plating station, and helps fire all these plates. When I wasn’t drowning in this station, Arthur, an Argentinian seventeen year old held it down.

Plating

Plating at La Bouitte

Plating at La Bouitte

The plating station is exclusively owned by the father and son owners of the restaurant: René and Maxime, the heads of the kitchen. This station assembles all of the hot line entrees on an oversized pass window. They also do all the expediting: calling out orders to be prepped and fired from the other stations. Because the Mise en Bouche station finishes first with all the courses to be fired early on, usually the second half of each service is spent working this station. Plating has been the funnest job of my life. My entire childhood, I’ve always taken technical electives, and constantly shied away from the art classes. Partly because of lack of interest at the time, and partly because I’m garbage with my hands. At La Bouitte, each plate is without a doubt, a work of art. Chef Maxime is a genius in this respect.

Arthur and Chef Maxime plating mise en bouche

Arthur and Chef Maxime plating mise en bouche

When I first started working the plating station, there were quite a few parts to certain plates I avoided because of the significance or difficulty. I remember early on, Chef Maxime was about to lay the sauce onto the pigeon plate with just a spoon, stopped midstep, turned, and handed me the spoon. Not knowing French was irrelevant: I knew exactly what was going to happen next. I grabbed the spoon, laid the sauce on the plate like garbage, Maxime sighed, pulled out a new plate, and we started over. That was a slow service though, so we actually had some time available, and Maxime kept handing me the spoon until I got it right. In strained English he told me something along the lines of “during busy services we won’t have time to teach you.. you just have to know.” Soon enough I saw an incredibly busy service, and witnessed over a dozen empty plates sitting on the pass waiting to be sent out. René and Maxime were both busy doing other plates and these dishes that were just fired had to go out, and they had to go out now. I put together plates in their entirety, and sent them out with the usual:

“Service s’il vous plait!”

This was a quite a stressful way to learn, but I picked it up pretty quick. I still don’t think I’m an artist, but I have some techniques to play around with food. Almost every time I plate, my mind pretty much shuts off, but sometimes I’m thinking, “Man, I would kick some ass if I played Operation again.”

Operation board game

Operation board game

For those raised in a different generation as me, Operation is a board game from the nineties. The board holds a funny looking man with all this organs and limbs hollowed out hidden between metal edges. One plays the game by plucking out a bone with metal tweezers that buzzes if an adjacent edge is touched. A steady hand wins the game. I always lost this game as a kid. Winning Operation: one more important skill added to my belt.

Since the plating station doesn’t actually own any plates, there’s no actual prep for the head chefs. Regardless, they are still in the kitchen most mornings, often helping prep and fire mise en bouche (especially since owning a station alone is an inordinate amount of work). However, considering all the other things the owners have to worry about, their help is not guaranteed: something I learned the hard way.

The Hot Line

All of the entrees on the menu are handled by two stations: viande and poisson. Viande handles all the meat dishes, and Poisson handles the rest (including the fish of course). Both stations are owned by, in my opinion, two of the most talented chefs in the world. What makes them so great is they cook a mile a minute, and rarely if ever make mistakes. Working with people who work this fast makes it very easy to get in the way or slow them down. If every you’re in the way during service, you may just get run over. You will certainly be publicly embarrassed. This last winter both of these stations were manned by four. This summer, each has two: a genius and a stagiare.

Viande

Chef Stephane owns the viande station, and he might be one of the most frightening characters I’ve encountered in my life. He convinced me he knew no English, but I have a strong hunch he is completely fluent given his eloquence in throwing me profanity when he could get away with it (“Suck my dick, you leetle bitch, you fucking guy.”) He had the only other stagiare as his commis, Cylià, whom he [affectionately?] called “Ratatouille.”

Chef stephan firing some rabbits

Chef Stephane firing some rabbits

Stephane has worked for three Michelin star restaurants before and when you watch him work it shows. He breaks down pigeons, chickens and rabbits in a matter of seconds. During prep he conjures up several gallons of stock in giant half meter high high hotel pans on his flattop. He lugs around these giant hotel pans filled to the brim with stock, bones, and aromates on a regular basis (god help if you if you get in his way on that one). During service, his flattop is surrounded by dozens of copper pots, waiting to be used in the myriad of sauces across all his dishes.

When Chef Stephane is not in a horrifying mood, he is a total goofball. If we make eye contact during slow services, he passes me one of several crude gestures. From blowing me a kiss, to taking the squeeze bottle filled with white slurry, profusely shaking it in front of his waist, and finally shooting out drops of slurry six feet into the air. Along with the pure adrenaline rush of busy services, this sort of banter makes working in the kitchen pretty fun.

Poisson

IMG_20130811_170111

Along with all the fish dishes, Poisson owns other miscellaneous entrees like mozza. Mozza is a mozzarella balloon filled with tomato mousse held over a basil aspic round, tomato confit squares and a mozzarella sauce circle. All of which, virtually floating over the table held on a large spotless glass dome. Poisson is owned by Chef Laurent, who has put in over eight years at La Bouitte, a seasoned veteran. Though there is no official single sous chef in this kitchen, he is second in command informally: everyone respects and listens to his directions.

Mozarella at La Bouitte

I have been his commis for the bulk of this summer. At first, I did nothing but cleaning and all the tedious prep. As I began to work quicker, and my work moved closer to perfection, I was taught new techniques, skills and recipes. I now finish all that tedious prep within an hour or two, and my remaining time is spent doing some pretty cool things like filleting whole fish, and making some of the sauces. During service, I get to play with a blowtorch every time an order for foie gras comes in. I love when the chef calls out orders for foie gras.

Me plating Mozza

Me plating Mozza

In the beginning, the stagiares don’t get to touch food unless they show they can clean fast and well. The skills required to clean are very similar to cooking: using one’s hands to follow a sequence of steps that may vary depending on the situation (requiring observation and reaction skills), and the level of detail one maintains to finish the job. This makes sense for an expensive restaurant: if a stagiere is not very good, having them screw up the cleaning won’t affect the customers experience. It does, however, affect all the other cooks, who must now stay longer to pick up the weight dropped by the slacking stagiere. This brews an animosity that will hopefully drive out any unfit cooks from the kitchen. A progression then follows of increasingly complex and significant tasks, where responsibilities are piled on by proving all simpler tasks can be completed well and quickly.

This is how one moves up in such a kitchen: finishing any job sooner, and with higher quality, than expected. So that’s the hot line. there’s just five of us (not including the two head chefs since they don’t do much actual cooking). One can imagine five people feeding everyone lunch and dinner six days a week with complex plates is no easy feat. There is no calling in sick here. Feeling under the weather? Suck it up, we need you.

Baking and Patisserie

There are two remaining stations in La Bouitte’s kitchen: boulangerie and patisserie. I haven’t worked either stations (though I’d like to), so I don’t have too much insight into them.

Boulangerie

Chloe snapping baguettes

Chloé shapping  baguettes

The boulangerie station pumps out all the bread for the restaurant. It is run by just one girl: a small blonde named Chloé. It is amusing to see her throw down three kilos of dough and the counter, and beat it with her tiny hands.

Seven days a week, she starts at 4am and puts out over a dozen different types of bread a day. She gives us all fresh, French bread every day, and I love her for it. I’ve been enamored with baking bread since learning how in culinary school, and spent my little time off working with her to pick her brain.

Patisserie

The patisserie station is responsible for all the desserts La Bouitte has to offer. This summer it holds two talented people: Chef Antony, Chef de Patisserie, and Delphine, his commis. Chef Antony has taken other restaurants from one Michelin star to three in his past and his desserts exemplify that experience. They are beautiful and elegant yet simple at the same time. Delphine joined halfway through the summer after his first commis, a stagiare, quit early on, unable to handle the physical and emotional stresses of the job.

So  that’s the kitchen during the summer of 2013 at La Bouitte. There were the two head chefs, five on the hot line, and three in baking. There’s another ten or so on the front side of the restaurant, which includes all the servers, sommolier, maitre’d, receptionists, etc.. We all ate lunch and dinner together every day immediately prior to each service, developing a tight knit family of folks all across France, and me, the “Bullsheet American.”

Le petit paradise

Le petit paradise

Kitchen Gauntlet

I am now halfway through a stagiere position at a two Michelin star restaurant in the French alps. When I signed up for this gig, I knew it was going to be hard. I’ve always been on the hunt for figurative mountains to climb. Dur, French for ‘hard’ is a gross understatement of the last several weeks. We start prepping promptly at 8am and finish cleaning up after dinner service close to 11pm each night. There is a small half hour reprieve for staff lunch and dinner each, and an approximate two hour break between lunch and dinner shifts. I think “brutal” is a more accurate adjective.
One thing became extremely apparent to me as I watched my colleagues work. Every veteran cook on the hot line moves as if a timer is counting down behind them, a camera is hovering over them, and judges are waiting to evaluate their output when times up. This applies to everything they do in the kitchen. From cooking, to gathering ingredients, and to cleaning, they are flying. All goddamn thirteen hours a day.
One of the biggest challenges I’ve been working through is trying to keep up with this pace. With a degree in computer science and a steady desk job for over two years, I’ve been enjoyably accustomed to sitting on my ass for most of the day. Just standing on my feet for most of the day was foreign to me, and here I was, expected to cook literally at a sprint for thirteen hours a day.
Failing to work quick gets you all sorts of criticisms and scoldings. Though I know very little French, I can pick up parts of conversations. More often than I’d like to admit, I can tell they’re talking about me; saying something along the lines of “Putain, he’s been working on those carrots for almost an hour now.” The conversation continues for a bit, where I’m almost glad I can’t understand, and usually ends with someone yelling: “Shirdoo, vit!” or “allez, allez!” which translates to “Shirdoo, fast!” and “Go, go!” respectively.
After the third or fourth time I repeat a task, I can notice myself capable of moving quicker. I’ve also noticed when I push myself to go as fast as I can, I get yelled at much less. That is something I’ve been forced to get accustomed to: getting yelled at. This is a very different world from the docile environment of my engineering background where criticism is given discreetly and gently [if given at all], or “professionally” as we like to call it. The kitchen is quite literally the opposite. Feedback is given publicly and painfully honestly for even the slightest offenses like taking too long to pull things out of the fridge or even the way one stands. Aside from my own ambitions and desire to impress my peers, my largest motivator has been fear of embarrassment. Public shaming is probably the most common disciplinarian technique used here. If I forget about a pot I put on the flattop and manage to burn a sauce, the whole kitchen hears about it.

This makes me acknowledge why there are so few women in restaurant kitchens. Sensitivity is not tolerated, both to verbal abuse and to literal heat. This reminds me of something Michael Ruhlman wrote in The Making of a Chef:

“[Restaurant cooking] requires extraordinary stamina and endurance. It’s a physical occupation more on the level of professional football than the performing arts, and the better shape you’re in, the better cook you’ll be.”

We have an oven that stands about two meters off the ground. On more than one occasion I’ve had to pull out a six inch hotel pan filled with liquid and food at 220 degrees Celcius and weighing in well over twenty kilos (that’s ~6 feet off the ground, ~425 degrees Fahrenheit and over 45 pounds in my silly American system). In the kitchen, you can’t ask for help for pulling out a pan from the oven. And oven mitts? HA! Each person is given one side towel to be used for the entire shift, and its acceptable to ask to borrow another side towel if you need to pull out something heavy and you ask nicely. On more than one ocassion I’ve used my side towel to wipe up spills, and have two large callouses for hands as proof. This is where grace in the kitchen becomes obvious… Watch a poor stagiare attempt this, and watch a veteran chef pull something out of an oven. I tip my hat off to women that work in this environment of intense physical and mental stress.
Going fast is not good enough here either. Our work has to come as close to perfection as humanly possible. Second to scoldings for moving slow are exclamations of mediocrity. My work is constantly being evaluated on an almost unreasonable scale. When a chef looks over my shoulder, and picks up what I’m working on, more often than not I hear:

“Que-est que c’est? Ça c’est bullsheet!”
“What is this? This is bullsheet!”

Feedback is more often negative than positive, but every once in a while I’m thrown a bone:

“C’est bien, Shirdoo.”
“This is good, Shirdoo”

The transition has been tough to put it lightly. My feelings towards the experience have gone through several transformations. The first week was mostly shock and exhaustion. I was so overwhelmed and overworked I didn’t know what to think. The second week I felt resentment. I cursed myself for choosing such a hard externship site, and wished I did a bit more research about the details of what was coming. During this time, I frequently thought of quitting and running away, especially through the long mornings of constant verbal abuse. One out of two of the other stagiares in the kitchen did quit and went home after these two weeks. Poor girl never did move quite fast enough, and the chefs gave her hell for it.

I hung in there though and when the third week rolled around I began to accept my new reality. Now I’m beginning to embrace the difficulties of the job: the harder you work, the more you learn. Each day I feel myself a better cook than yesterday, and that’s an incredible feeling. Steep price to pay, but nine weeks is just a blip of my life, so I’m ripping off the bandaid so to speak.

Its funny I remember going through something very similar when I first started running cross country over a decade ago at the age of 14. Our very first practice we did a three mile run. Prior to that I had barely run over a mile, so these three miles killed me. I walked a good portion of it, and finished feeling entirely famished and thoroughly sore the next day. That first week, I remember thinking several times, “this is too hard for me” and pondering the consequences of quitting. We practiced six days a week, and progressively worked up to 7 mile runs. After just two weeks, we did that same three mile run and I finished no problem at all. “That’s it?” I remember thinking.
After that point, my ambition of three miles turned into thirteen miles until I eventually just finished a marathon holding close to the same pace last year. Running went from being a pain and challenge to an enjoyable stress bringing about a great feeling of accomplishment. So I’ve reached the point now where I get the same feeling when putting on my running shoes and slipping in my headphones as when I button up my chefs coat and tie up my apron:

“Here we go…. its time to fly”

Working at a two Michelin Star Restaurant

La Bouitte

A little over a week ago, I began an internship working in the kitchen at a two Michelin star restaurant in the French alps. In this first week, I worked well over 75 hours of very fast paced, challenging hard labor in the kitchen. Six days an week, everyone in the kitchen works both the lunch and dinner shift. I wish I could say I spent all this time cooking and learning new foods and techniques, but I’ve probably spent just as much time scrubbing, washing, and cleaning as working with food. I, an American software developer born in India, am completely out of my element here. Has this been worth it? I’ll answer that question a little later.

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Reflections on a Fantastic Ride

About a year ago today, my life was going pretty damn well. I recently graduated college, moved to a gorgeous city, and began a wildly rewarding career in software development. Around this time I made a radical decision to go back to school in an unexpected direction. I enrolled in the Cordon Bleu Culinary Arts program mostly on a whim, and it changed my life forever. I’ve found one path guaranteed to making someone happy: through their stomaches. I’ve always enjoyed making people happy, and, at this point, I’m the happiest man on earth.

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California Culinary Academy’s Soup Scholarship Competition

On February 26, 2013, California Culinary Academy held a soup scholarship competition, open to any enrolled student. We had ninety minutes to make two soups: one consumme and one thickened soup.

Up until this point, I competed in two such scholarship contests (Burger and Pizza). I pretty much winged both of these. I had at least cooked some burgers beforehand, but the pizza contest was a personal fiasco. I walked in not knowing how to start, and spent the first 20 minutes on my phone looking up recipes on how to make pizza dough. The end result looked and tasted decent, but not one to be especially proud of.

This soup competition was different though. I was hungry for a win. Starving.

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Build the Best Burger Competition

burger_classic

On December 6th, 2012, I participated in one of California Culinary Academy’s scholarship contests. In most schools, scholarship contests involve essays, applications, and possibly interviews/talks. Not in culinary school =D. The terms of the scholarship were simple: the best burger wins a grand. There were similar cash prizes for second and third place. The burgers were scored by three judges in 4 categories: presentation(5 pts), edibility(5 pts), flavor(10 pts) and burger temp(5 pts). There were three sessions held to accommodate as many students as possible (8-10, 10-12, 12-2). Across all the sessions, about 30 students participated.

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Thomas Keller’s Chicken Dumpling Soup

ad-hoc-at-home-cookbook-cover

This post is an honest salute to Thomas Keller. Chicken dumpling soup was the first recipe I tackled in his book, Ad Hoc. Not only is Keller’s book filled with super tasty, approachable dishes, it contains detailed instructions to a myriad of cooking techniques. Having gone through most of this book before my first day at culinary school, I was familiar with a good number of the same techniques I’m being taught. To top it off, it is beautifully illustrated, earning it a spot on any coffee table.

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Le Cordon Bleu – Foundations I

Back in March 2012, I made a spur of the moment decision to join culinary school. I had been cooking for about a year to that point (basically since I moved out to San Francisco and began fending for myself for the first time). I did some research, and found a program that was incredibly expensive, in terms of both money and time. Around the same time, I was working with my parents and local tattoo artist (and Utsavi!) to get the following sanskrit piece down my ribs:

जीव यथा श्वस्तनदिने मरिष्यसि
शिक्षस्व यथा शाश्वतं जीविष्यसि

Translates to:

Live as if you were to die tomorrow
Learn as if you were to live forever

Going to school to learn the fundamentals of something I sincerely loved to do makes absolute sense to me. I got mixed reactions from both friends and family when I told them I wanted to enroll in San Francisco’s CCA: Le Cordon Bleu certificate program (a 1 year, 20 hrs/week, ~$20k program). I made it clear I was not abandoning my lucrative career as a software engineer, nor my current role as developer for Salesforce.com.  Pretty much the only common agreement between everyone was simple: I am crazy. That’s fine with me, I have no interest in being normal.

So in the following months, I arranged all the necessary pieces to start culinary school October 1st, 2012. Around the same time, I moved out of the heart of the mission, further south into the boonies of San Francisco. I moved in with what was soon to become my new family in San Francisco. That’s important for a couple reasons: my commute became pretty rough. I’d ride by bike to school, then work, and finally back up the giant hill to home. Altogether this amounts to a pretty decent daily workout (which is fantastic because French cooking is very heavy on the butter and cream). It’s also hampered my social life a bit (I’ve gotten a couple texts asking where I fell off the face of the planet to). Instead, I fill my spare time with experiments with food:

Canning and preserving (berry jam)

Baked a cake for Mitch’s birthday! (Clearly I’m garbage at baking =X)

Mitch’s birthday dinner (cod en persillade w/ risotto)

Now on to the real reason I’m writing this blog. I figured I should share what culinary school is actually like. I went in pretty blind: having no idea what I was getting into until I actually jumped in. My explanation is not simple, so I figure the easiest way is to try to show what its like:

First off, meet Chef John: my instructor for Foundations I

Chef John plating our [hearty] breakfast

We had class from 6-10AM, five days a week. During that time, Foundations I was filled with knife skills:

Chef would show us the cuts we’re to know, what he looks for in evaluating them, and techniques to get there. Eventually we’d be tested under time constraints:

Knife skills practice exam

That was the first practice exam. I cut myself in the first 15 seconds =P. Second to “crazy”, was “be careful”… I can’t help it! =X

Chef would put up 10 cut/vegetable pairs on the board, and we’d have to produce them within a certain amount of time (initially 30 minutes). On the last day of class, we had a final knife skills exam for which we had 20 minutes:

Knife skills final exam

Chef would go around, grading each cut out of five points.

My knife skills final

The cuts and grades I got on my final are (starting from the top right going clockwise):

  • Tomato concasse (deseeded, peeled tomato coarsely chopped) 5/5
  • Potatoe mignonette (basic french fry, 1/4″  wide) 5/5
  • Onion ciseler (small dice) 5/5
  • Spinach chiffonade (long thin strips) 4/5 (not thin enough)
  • Carrot julienne (long thin strips 1/8″ wide) 5/5
  • Carrot brunoise (1/8″ cubes) 5/5
  • Onion emincer (thin slices) 4/5 (not thin enough)
  • Potatoe macedoine (1/4″ cubes) 5/5
  • Garlic hachet (finely chop) 4/5 (not fine enough)
  • Potato tournet (little football shapes – easily most challenging, time consuming cut here, Chef is looking for symmetric, equal sized football shapes with 7 sides) 3/5

Aside from practical knife skills, Foundations I has a whole lot of theory:

Stock lecture

Every other day, we have lectures where we talk about all aspects of food.

Meat labeling lecture

From prep techniques, to food purchasing, we learn about food in several dimensions. During lectures, we also frequently have demos:

Fluting a mushroom

NBD

Trussing a chicken

Supreming a grapefruit

There’s a little excerpt of our syllabus. Clearly, class is awesome.

We had homework too! Assignments are usually research topics that are pretty fun actually. (Thank you Anny Hunt for helping me with the above assignment!)

Mayonnaise assessment

Aside from the knife skills exam, the only other practical exam we had in the first class was the mayonnaise assessment. We had to whip up some mayo in 5 minutes! You fail if the emulsion breaks, and are graded on flavor and consistency of the mayonnaise.

Product tray

There was also a product and equipment labeling exam, where we were expected to name all different kinds of product and kitchen equipment.

Average lab agenda

Lab days were fantastic! We ate well on those days =)

Fried chicken and aioli

There were other classes in session too, that frequently made way too much food. We’d get fed well on those days too 😉

Catering class’ cheese platter

Catering class’ poached pears

Class has its serious notes, and but for the most part its learning anything and everything about food and having fun while doing it.

Serving food we prepared from 2AM for a catered breakfast the school held

Being in these classes and in this industry has connected to me a whole different world of people and cultures. Placing yourself in shoes you don’t wear is absolutely life changing. All in all, I’m having the time of my life. I wake up every morning before the sun rises feeling absolutely giddy to jump into an apron and cook something new.